Even his obscure Electronic Sound, recorded on a Moog modular synthesizer in late 1968, couldn’t have happened without the input of synth expert Bernie Krause (who later sued Harrison for the privilege, proving once again that some friendships just aren’t built to last). The notion probably had its roots in Harrison’s attraction to the spiritual teachings of Maharishi Mahesh Yogi-but whatever the source, it informed just about every solo album he ever released. What emerges most plainly from the Wilburys experience is that, for Harrison, friendship and a deep awareness of how collaboration could spark the creative process were all-important starting points for making good music. Interestingly, Harrison was the (quietly) driving force behind the group, whose smash single “Handle with Care” was originally intended as the B-side to Harrison’s own “This Is Love,” from his 1987 “comeback” album, Cloud Nine.
(And any who don’t should probably rethink their position.) For the guy who was always tagged as the “quiet” member of the Fab Four, he made quite a loud and definitive statement right out of the gate, andhe cranked out a lot of music during the ensuing decade before his self-imposed hiatus in 1983.įrom there, it would be easy, almost quaint, to cast Harrison’s later work in the light of his success with the Traveling Wilburys, the hit-making supergroup he founded in 1988 with Bob Dylan, Roy Orbison, Tom Petty and Jeff Lynne. Most hardcore Beatles fans agree that George Harrison’s All Things Must Pass, released mere months after the band’s world-shaking breakup in 1970, is the best solo album ever made by an ex-Beatle.
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